I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
I take readers on a journey from North America (where Greenlanders and Icelanders had a lot to say about Native Americans) to Europe (where Jews were racialized, and “Gypsy” became the name of a slave race), to the Middle East (where Muslims were the international enemy in the killing fields of holy war) to Africa (where blackness was seen as the color of sin and the devil, and Ethiopians were deemed a population of sinners) to the Eurasian steppes and China (where Mongols evolved, in the western mind, from subhuman beings to the representatives of the greatest empire on earth). Along the way, I show readers why all this still matters today.
Everyone knows about how the People’s Republic of China treats Tibetans and Uighurs today, but how many know about premodern China’s response to people it considered foreign, barbarian, or Black? Don Wyatt’s book shows how people in Southeast Asia—Sumatra, Java, the Malay archipelago—were considered by China as Black, alongside actual Africans. An excellent companion book to read together with this is Shao-yun Yang’s The Way of the Barbarians: Redrawing Ethnic Boundaries in Tang and Song China. Many books on race before the modern era focus on the West, but how about race elsewhere? How about China, a country that’s fast becoming a world power?
Premodern Chinese described a great variety of the peoples they encountered as "black." The earliest and most frequent of these encounters were with their Southeast Asian neighbors, specifically the Malayans. But by the midimperial times of the seventh through seventeenth centuries C.E., exposure to peoples from Africa, chiefly slaves arriving from the area of modern Somalia, Kenya, and Tanzania, gradually displaced the original Asian "blacks" in Chinese consciousness. In The Blacks of Premodern China, Don J. Wyatt presents the previously unexamined story of the earliest Chinese encounters with this succession of peoples they have historically regarded as black.
A series…
The Image of the Black in Western Art is a multi-volume series that extends from antiquity to the modern era, and it’s famous for its extraordinary images. This series now has an excellent additional volume—on how Black peoples were portrayed in African, Middle Eastern, and Asian art. The images from these non-Western regions of the world are incomparable, and the accompanying essays take us all the way from the beginnings to the present day.
The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egypt-positioned properly as part of African history-this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition,…
If you’re curious about what the ancient Greeks and Romans thought about their neighbors—Persians, Egyptians, etc.— you’ll want to read this book from cover to cover. It’s smart, learned, and doesn’t shy away from hard truths. After you read it, you’ll also want to read Benjamin Isaac’s The Invention of Racism in Classical Antiquity, David M. Goldenberg’s The Curse of Ham: Race and Slavery in early Judaism, Christianity, and Islam, and The Origins of Racism in the West, edited by Miriam Eliav-Feldon, Benjamin Isaac, and Joseph Ziegler.
How do different cultures think about race? In the modern era, racial distinctiveness has been assessed primarily in terms of a person's physical appearance. But it was not always so. As Denise McCoskey shows, the ancient Greeks and Romans did not use skin colour as the basis for categorising ethnic disparity. The colour of one's skin lies at the foundation of racial variability today because it was used during the heyday of European exploration and colonialism to construct a hierarchy of civilizations and then justify slavery and other forms of economic exploitation. Assumptions about race thus have to take into…
In the European Middle Ages—the millennium-long era in the West after antiquity and before the modern period—Christianity was the first and last authority for all sources of knowledge and forms of reasoning. This important book shows in great detail how medieval Christian theology produced arguments and rationales that enabled racism against Jews during the centuries of the long medieval period.
In Figuring Racism in Medieval Christianity, M. Lindsay Kaplan expands the study of the history of racism through an analysis of the Christian concept of Jewish hereditary inferiority. Imagined as a figural slavery, this idea anticipates modern racial ideologies in creating a status of permanent, inherent subordination. Unlike other studies of early forms of racism, this book places theological discourses at the center of its analysis. It traces an intellectual history of the Christian doctrine of servitus Judaeorum, or Jewish enslavement, imposed as punishment for the crucifixion. This concept of hereditary inferiority, formulated in patristic and medieval exegesis through the…
You’ll be dazzled by the brilliance of this author, and the beauty of his writing. The book is impossible to summarize, but if you want to understand how the spread of a specifically Christian imagination around the world produces a racial grid, racial thinking, and racism, this book is indispensable. Whether you’re interested in modern race, or race in all the long centuries before, you’ll come away with a better understanding of how the spread of the Christian religion has produced race and racisms.
A ground-breaking account of the potential and failures of Christianity since the colonialist period-winner of the 2015 Louisville Grawemeyer Award in Religion and of an American Academy of Religion Award for Excellence
"Detailing the nooks and crannies of white supremacist Christianity, The Christian Imagination allows not only for greater sophistication when considering race and theology. It also points to possible cures to the disease so elegantly diagnosed."-Edward J. Blum, Journal of Religion
"[A] theological masterpiece."--Chris Smith, Englewood Review of Books
Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
With input from over 100 musicians, the book discusses what exactly jazz is, and how you know you are listening to it. Do we truly know when and how jazz first originated? Who was the first jazz musician? How does jazz link to other genres? What about women in jazz? And writers and journalists? Do reviews make any difference?
This book is a deep dive into jazz's history, impact, and future. It discusses jazz's social, cultural, and political influence and reveals areas where jazz has had an impact we may not even realize.Its influences on hip hop, the connection to…
This book is very different from other, more general jazz books. It is packed with information, advice, well researched and includes experiences from jazz musicians who gleefully add their rich voices to Sammy's in-depth research. All genres, from hard bop to be-bop, vocal jazz, must instrumental, free jazz, and everything between is covered in one way or another and given Sammy's forensic eye. There is social commentary and discussions of careers in jazz music. The musical background of those in the book is rich and diverse. Critics comment: "This new book by Sammy Stein is a highly individual take on…
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